Making music is dancing with the invisible. We make something we can’t see or hold in our hands, yet palpably surges through mind and body.
It is one of the very few magical endeavors we humans still believe in, and un-ceremonially engage with.
It is also an act of love. Towards the artists, friends and family we work with. Towards the muses that inspire us. Towards those we hope will listen.
Diego Llaneza — guitar, vocals, lyrics and arrangements.
Adrian Cristi — bass, foundation, and feel. Showing up when it matters, playing with the precision that held the songs together from the inside out.
Rolo Ianiselli — drums, heartbeat, and instinct. His timing, musically and emotionally, kept the whole thing moving when it might have stalled.
Diego Bavasso — keyboards, production, and the thread that sews the pieces together. He shaped not just the sound, but the emotional tone of the record. A creative partner in the truest sense.
And then there were the friends—those who stepped in quietly and left something unforgettable behind: Azuma lent her voice to the Photograph duet, gently bending the light. Adam Haines brought lead guitar to Photograph, giving the memory a sharp edge. Valeria Binelli offered vocal harmonies that knew exactly when to lean in, in If I call you and In Between. Eleanor Griffiths beautifully recited Pushkin in Beautiful Together, folding literature into longing. Santiago Llaneza gave his solo to In Between—a magical moment of force. Polina Sasko played cello in Like a Watermark, low and steady, like the persistent memory itself. Fercho Diaco’s saxophone found the ache and vibe in Heroes. Odili Ifeanyi backed and lifted Diego’s vocals in Heroes – with fire and infinite grace.
Photo: Pablo Piccardi